Gramophoney Baloney – Trinidadian Recordings 1914-1950
Sunday, August 5
9pm
All music from Trinidad during this morning’s show, recorded 1914-1950, then immediately afterward, off to the Radio Valencia Sunday Streets remote broadcast on Valencia Street for a fantaastic bonus Gramophoney Baloney outdoor DJ set (also included in the attached podcast, right after Miss Deena‘s set)! Aaaw…yeah!
(or click here for the podcast)
PLAYLISTS:
9:00-11:00am Trinidadian Recordings 1914-1950:
- “Creole Love Call”(excerpt) by Duke Ellington & His Orchestra (feat. Adelaide Hall, vocal) from “Cotton Club Stomp – 1927-1931”
- “Mannie Dookie” by The Tiger accompanied by Gerald Clark & His Caribbean Serenaders from “Roosevelt in Trinidad – Calypsos of Events, Places and Personalities – 1933-1939”
- “Si-O-No-Valse” by Gerald Clark & His Caribbean Serenaders from “Calypso Carnival – 1936-1941”
- “Bandsman Shooting Case” by Wilmoth Houdini from “Poor But Ambitious – Calypso Classics from Trinidad – Historic Recordings 1928-1940”
- “John Gilman Want Tobacco – Carnival (Yankee Minstrel)” by Victoria Philip & Dixon (Ebenezer) Philip from “Peter Was a Fisherman – The 1939 Trinidad Field Recordings of Melville and Frances Herskovits, Vol. I”
- “Bargee Pelauri” by The Lion accompanied by Gerald Clark & His Caribbean Serenaders from “Calypsos From Trinidad – Politics, Intrigue and Violence in the 1930s”
- “Money Is King” by The Tiger accompanied by Gerald Clark & His Caribbean Serenaders from “Calypsos From Trinidad – Politics, Intrigue and Violence in the 1930s”
- “Poppy Day” by Lord Executor accompanied by The Cyril Monrose Orchestra from “Calypsos From Trinidad – Politics, Intrigue and Violence in the 1930s”
- “Honey I’m Bound To Go” by Wilmoth Houdini accompanied by Gerald Clark’s Night Owls, from “Poor But Ambitious – Calypso Classics from Trinidad – Historic Recordings 1928-1940”
- “Trinidad Carnival Songs” by Monrose String Orchestra from “Trinidad – 1912-1941”
- “Suzi-Qu” by The Lion with George Mutoo & His Demerara Orchestra from “Trinidad – 1912-1941”
- “Caracas (waltz)” by Lionel Belasco’s Orchestra from “Goodnight Ladies and Gents: The Creole Music of Lionel Belasco”
- “You Know One Joseph Keeba (Quadrille)” by Margaret Wright from “Peter Was a Fisherman – The 1939 Trinidad Field Recordings of Melville and Frances Herskovits, Vol. I”
- “Four Mills Brothers” by The Lion accompanied by Gerald Clark & His Caribbean Serenaders from “Roosevelt in Trinidad – Calypsos of Events, Places and Personalities – 1933-1939”
- “The Rumba Dance” by The Lion accompanied by Gerald Clark & His Caribbean Serenaders from “Trinidad – 1912-1941”
- “Sweet Like A Honey Bee” by Wilmoth Houdini accompanied by Gerald Clark’s Iere String Band, from “Poor But Ambitious – Calypso Classics from Trinidad – Historic Recordings 1928-1940”
- “Tres Bemoles-Valse” by The Cyril Monorse String Orchestra from “Calypso Carnival – 1936-1941”
- “Try A Screw To Get Through” by The Tiger accompanied by Gerald Clark & His Caribbean Serenaders from “Calypsos From Trinidad – Politics, Intrigue and Violence in the 1930s”
- “(Intro feat. Alan Lomax) Man Smart, Woman Smarter” by Macbeth The Great, Duke of Iron & Lord Invader with The Gerald Clark Band from “Calypso At Midnight! – The Live Midnight Special Concert – Town Hall, New York City 1946”
- “Donnie Willie (reel/quadrille)” by Marie Saunders from “Peter Was a Fisherman – The 1939 Trinidad Field Recordings of Melville and Frances Herskovits, Vol. I”
- “Recuerdos Del Pasado (Venezuelan Waltz)” by Sam Manning’s Rhythm Boys from “Trinidad – 1912-1941”
- “Introduction Of Steelbandsmen – Last Train To San Fernando” by Woodbrook Invaders Steel Orchestra from “Calypso Calaloo – Early Carnival Music in Trinidad”
- “Anything For Love” by Harmony Kings Orchestra from “Calypso Carnival – 1936-1941”
- “A Night In Central Park” by Sir Lancelot accompanied by Gerald Clark & His Caribbean Serenaders from “Trinidad Is Changing”
- “Panama Paseo” by Band Belasco from “Goodnight Ladies and Gents: The Creole Music of Lionel Belasco”
- “(Intro feat. Alan Lomax) Calypso War” by Macbeth The Great, Duke of Iron & Lord Invader with The Gerald Clark Band from “Calypso After Midnight! – The Live Midnight Special Concert – Town Hall, New York City 1946”
- “West Indian Sugar Crop” by Wilmoth Houdini from “Poor But Ambitious – Calypso Classics from Trinidad – Historic Recordings 1928-1940”
- “Invocation (Shango)” by Andrew Beddoe from “Peter Was a Fisherman – The 1939 Trinidad Field Recordings of Melville and Frances Herskovits, Vol. I”
- “Goodnight Ladies and Gents” by (Wilmoth) Houdini & Belasco Orchestra from “Goodnight Ladies and Gents: The Creole Music of Lionel Belasco”
- “John O’Carr” by King Radio from “Calypso Carnival – 1936-1941”
- “The Cooks In Trinidad” by Wilmoth Houdini from “Poor But Ambitious – Calypso Classics from Trinidad – Historic Recordings 1928-1940”
- “Amazon (waltz)”-by Lionel Belasco And His Orchestra from “Calypso Carnival – 1936-1941”
11:00-11:30am Miss Deena‘s set from Sunday Streets remote broadcast live from Valencia Street
11:30-12:00pm D.J. McSchmormac’s set from Sunday Streets remote broadcast live from Valencia Street:
- “Mediana in re maggiore” by Efisio Melis from “Patchwork Europe – Early Recordings 1911-1954”
- “Semnal vocal: Hăulit” by unknown singer from “Village Music from Romania – Oltenia”
- “Hoogie Boogie” by John Lee Hooker from “The Classic Early Years 1948 – 1951”
- “Been” by R. Singh Bikhul from “The Secret Museum of Mankind, Vol. 4 – Ethnic Music Classics: 1925-48”
- “Dame Un Cachito Pa’Huele” by Arsenio Rodríguez y su conjunto from “Montuneando – 1946-1950”
- “Pachuca” by Pérez Prado from “¡Primal!“
- “Solido Joaquín (Guaracha)” by Dacita & Her Orchestra from “Pachuco Boogie”
- “Banjoreno” by The Original Dixieland Jug Blowers from “Ruckus Juice & Chitlins – The Great Jug Bands – Classic Recordings of the 1920′s and 30′s – Vol. 1″
- “Hawaiian Cowboy” by Sol K.Bright from “Hawaiian Hula Blues – Acoustic Steel Guitar Masperpieces 1927/8”
TRINIDAD 1939