Radio Survivor‘s Matthew Lasar returned for a show based around a list of pre-1951 recording artists as chosen by himself – except when S.F.-based composer & multi-instrumentalist Sebastian Plano dropped by to play a live cello piece, and a selection from his recent debut album “The Arrhythmical Part of Hearts“, and talk about the kickstarter campaign to fund two new musical projects of his. Rita Lasar, Matthew’s mother, who had traveled all the way from N.Y.C. just to hang out with D.J.McSchmormac, was also present, and a fantastic time was had by all, …… UNGA-BUNGA!!!

UPDATE: As you can see, if you check out the kickstarter campaign for Sebastian Plano, it funded successfully about four hours before it was due to end, fantastic news!

PLAYLIST:

• “La Caravane (excerpt)” by L’Accordéoniste Jean Vaissade from “Django Reinhardt – Musette to Maestro 1928-1937– The early work of a guitar genius”
• “Send Me To The ‘Lectric Chair” by Bessie Smith from “Empty Bed Blues – Original Recordings – 1927–1928″
• “I’m No Angel” by Mae West with The Bruswick Orchestra from “Come Up And See Me Sometime”
• “Mon Coeur Est au Coin d’Une Rue” by Édith Piaf et Orchestre Wal-Berg from “Her Greatest Recordings 1935-1943”
• “Thank Your Father” by Helen Kane with Leonard Joy & The Victor Orchestra from “The Boop-Boop A-Doop Girl – Great Original Performances 1928 – 1930”
• “Miss Annabelle Lee” by Annette Hanshaw from “That Devilin’ Tune – A Jazz History – (1895-1950) – Volume 2 (of 4)”
• “Blame It On The Blues” by Ma Rainey with Tampa Red from “Mother Of The Blues”
• “C’est Pour Ça” by Édith Piaf & Les Compagnons de la Chanson from “La Vie En Rose”
• “Eifersuchtsduett” by Lotte Lenya & Erika Helmke with the Theo Mackeben Jazz Orchestra from “Kurt Weill”
• “Voliotissa” by Roza Eskenazi from “Rembetika 2 – More of the Secret History of Greece’s Underground Music”
• “I Want To Be Bad” by Helen Kane with Leonard Joy & The Victor Orchestra from “The Boop-Boop A-Doop Girl – Great Original Performances 1928 – 1930”
• “Dans Les Prisons De Nantes” by Édith Piaf & Les Compagnons de la Chanson from “La Vie En Rose”
• “Valse Caressante” by Florence Foster Jenkins from “Murder on the High Cs”
• “Untitled piece for solo cello” by Sebastian Plano from “Sebastian Plano live on Gramophoney Baloney”
• “Emotions (Part III)” by Sebastian Plano from “The Arrhythmical Part of Hearts”
• “It Won’t Be You” by Bessie Smith from “Great Original performances 1925 – 1933″
• “Button Up Your Overcoat” by Helen Kane with Leonard Joy & The Victor Orchestra from “The Boop-Boop A-Doop Girl – Great Original Performances 1928 – 1930”
• “Die Seeräuberjenny” by Lotte Lenya with the Theo Mackeben Jazz Orchestra from “Kurt Weill”
• “He’s Got Me Goin’” by Bessie Smith from “Great Original performances 1925 – 1933″
• “Love Me Or Leave Me” by Ruth Etting from “The Roaring Twenties”
• “(Liadov’s) Musical Snuff Box” by Florence Foster Jenkins from “Murder on the High Cs”
• “Binda Yiala” by Roza Eskenazi from “Rembetika 2 – More of the Secret History of Greece’s Underground Music”
• “Because He Loves Me” by Lily Morris from “Music Hall Memories”
• “I’m An Occidental Woman In An Oriental Mood For Love” by Mae West with The Paramount Studio Orchestra from “Come Up And See Me Sometime”
• “La Caravane (excerpt)” by L’Accordéoniste Jean Vaissade from “Django Reinhardt – Musette to Maestro 1928-1937– The early work of a guitar genius”